Jean and I

Jean and I

Saturday, March 25, 2017

No.4
In October 1939, when the country was still coming to terms with the reality that we were at war with Germany, there was an important broadcast by Rob Hudson, the Minister for Agriculture. He explained that our farmers could produce just 30% of the nation's food, but if gardens could be dug over and utilised 25% of the vegetables required could be provided.



Very soon there were posters everywhere publicising the idea. And it was successful - surprisingly successful. Lawns were dug up and potatoes, carrots, turnips and cabbages were planted. Public parks, railway embankments, golf clubs and tennis courts all contributed to the project. And on Windsor Great Park wheat was grown. Some folk, recalling the days when keeping hens was popular, revived the custom and even rabbits and pigs made an appearance.

Dig for Victory was a great success and by 1945 approximately 75% of our food was being produced in the U.K.

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Lake Geneva

Some years ago Jean and I had a holiday at Evian on Lake Geneva. We were staying in a big Centre which attracted a lot of young people of different nationalities. One day I was approached by a German woman who explained in broken English that she and her friends had been listening to me playing the piano. Apparently they were musicians and they wondered if I would like to play with them. Of course I readily agreed and we fixed a time for our get-together.

The three of them would be in their 50s, she played violin and the two men cello and clarinet. Language was quite a problem, but we got on well together, and the music which was the grand hotel type sounded fine. I discovered that her late husband had been a professional violinist, and every year they had holidayed at Evian, along with the other musicians.

Frau Hamza (I can’t recall her Christian name) was a “touchy feely” person and a bit eccentric. She kept saying “thank you, sir” and “excuse me, sir” to me and of course I told her that she was to call me John. So, for the rest of the holiday I was “Sir John”!!!

One morning she and I were practising together, making up a programme which the quartet would perform before the other residents. When we had finished, she said to me “Kom to my house,” (she meant her room) “I vant to give you cuddle.” Wow!!! That WAS a shock! I don’t think I said anything for a moment, and then the penny dropped. She had used the French word “cadeau”, she had a gift for me! It was a CD by her late husband’s group The Georg Hamza Ensemble.

So I didn’t get a cuddle, but at least I was “Sir John” for a few days!



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I've been thinking back to the street where I lived as a child. 

Bisected halfway down by Oxford Street, the upper part of Kerr Street where we lived consisted of well-kept tenements, six private houses, a primary school, and a church.


Royal Terrace where we lived till 1936

My pal Andrew lived in one of the larger tenement flats across the road. He was one of a big family, and each time I called to ask if he was coming out to play, his mother would go off to fetch him. That was when his siblings one by one would peep out from the kitchen door to inspect me, each head appearing at a different level.

The lower part of the street, which stretched down to the main road, had a picture house, a bus garage, and a small hall which was used by the British Legion. Quite a few of the houses there were of the room and kitchen type with outside toilets, and the families who occupied them seemed to have a great number of children. I was inside one of those houses only once, and that was when I was teenager. I had to deliver a message to a semi-professional musician who lived there with his wife and 3 or 4 children. Where they all slept I don’t know, but Bob’s double bass took up valuable space in the bedroom!!!

Just a few doors along a woman ran a “sweetie” shop in the living room of her house. And I'm remembering the one-legged shoe repairer whose little shop and workplace was there. We children had a morbid interest in the fact that he had just one leg and got about on crutches. He was a member of the local Salvation Army band, he taught his two sons the trumpet and when they grew up both were well-known locally as dance band musicians. The younger one for a while worked in London with some of the country’s top dance bands.


This is the primary school I attended. 
Opened in 1875, it finally closed last year.

I must write a bit more about our picture house. Of the two cinemas in the town, the one in our street was the least attractive. The films shown there were mostly unknown and the brightness of the screen had the habit of dimming every twenty minutes or so.

In those days it took years for new films to come to a local picture house. However that didn’t stop many folk being enthusiastic cinema-goers, and, with each picture house changing their programme every two days, it was possible to see a different show six nights a week!!!

Most children in those days went to the Saturday matinee, but that was not for us. There were two reasons - first, my mother’s upbringing as a Baptist gave her serious doubts about picture houses and theatres, but more important than that was the terrible tragedy which occurred in Paisley on the afternoon of December 31st 1929.

Nine hundred children between the ages of eighteen months and twelve years had gathered in the Glen Cinema, when a fire broke out in the projection box. It was quickly brought under control but as smoke filled the hall panic ensued. Some of the exits couldn’t be opened and tragically 69 children were crushed to death in the stampede.
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I'm remembering that at primary school we learned the multiplication tables by repeating them endlessly until they became fixed in our minds. Spelling too was taught that way and the whole class in unison would chant “eye enn - in, eye enn - in, ay tee - at, ay tee - at,” and so on. There used to be a lot of suppressed giggles when we came to “up.”

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Drawings of this little man peeping over a wall were to be found everywhere during the Second World War and its popularity spread all over the world.

It has been suggested that the idea came from the character called Chad, who had been created by a British cartoonist in 1938. However its popularity seemed to begin in America and, like so many other novelties, was exported to the UK and beyond.

The drawings in chalk, paint, ink - in fact anything that would make a mark on walls, lamp posts, street signs and posters, would turn up in the most unusual places and continued right into the 1950s.

There were other names by which he was known - Clem, Smoe, the Jeep, Private Snooks, and in Australia the caption was “Foo was here.”

I suppose part of the fun of “Kilroy was here” lay in the fact that it was so easy to draw - even a small child could make a good attempt at it. Why not have a go yourself? Perhaps you could try it out on your neighbour’s filthy car using your finger. But make sure you don't get caught!


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THE NEXT POST WILL BE ON SATURDAY 8th APRIL

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Saturday, March 11, 2017

No.3

I expect it will be only older people who recognise the above. This product, no longer available, used to be a popular remedy for indigestion and heartburn. We have often wondered if there is any family connection with the proprietors, but a search on the internet could find nothing at all about the firm.

I remember that many years ago John Jaap Chemists had a shop in Buchanan Street, Glasgow, but again we don't know anything about their family. The last record of the shop's existence is 1963.  

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Jaap is the Dutch equivalent of James or Jacob, but we were a bit peeved to learn that in South Africa the word is an offensive term for a country bumpkin.  A South African living in Scotland once told Fiona that "jaapie" is an Afrikaans word meaning monkey-like. In old Scots language the word joppe means a fool.

There are many variations of the name - in the past our family has included Japps and Jopes, but Scottish records also show Jape, Jappy, Jopp and Jupp.

Our family tree goes back to Walter Jaap, born in 1698 in the county of Fife in Scotland. Many of our Jaaps emigrated in the second half of the 19th century and others followed later on. Today their descendants can be found in America, Canada, Australia, New Zealand and the Cayman Islands.

We always believed that our origins would probably have been in Holland, but some years ago this comment from a German appeared on a Rootsweb Message Board. "It's possible that the German Jaaps have Scots roots, for there was a significant British/Scottish settlement along the Baltic Coast of Germany in the 17th and 18th Centuries."
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SAMUEL JOHNSON


What has the Joshua Reynold painting got to do with this blog? Nothing at all! In 1773 when Dr. Johnson was touring the Hebrides with James Boswell he was presented with the freedom of Aberdeen by Lord Provost James Jopp.


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In the 1930s my sister and I always enjoyed our regular visits to our maternal grandparents’ house. There was always plenty to do there, and very often one or two aunts would be willing to play with us.

Going to the other grandparents’ house was a different matter however. There we sat, unseen and unheard, till, probably at my father’s suggestion (he was very proud of our accomplishments), we were asked to give them a tune on the piano. That done, we would revert to our role as silent guests.

I used to sit there gazing at a strange object on the mantlepiece. I could just make out the words "Ye maunna tramp on the Scotch thistle, laddie" but couldn't figure out what that meant.

This photo which I found on the internet  looks exactly like the statuette that puzzled me.


A family firm of monumental sculptors founded by James Gibson took part in the 1888 Kelvingrove International Exhibition where they showed their large-scale sculpture "Ye Maunna Tramp on the Scotch Thistle, Laddie." Carved in marble, the statue depicted an elderly man removing a thistle thorn from a boy’s foot.

The sculpture was such a great success that replicas in imitation bronze were made and sold in Gibson’s showroom for the princely sum of ten shillings each.

I remember that there were two super things in Grandma Jaap's house which would have kept two children occupied for while, and I’ve no doubt that, if I had had the courage to ask for them, they would have been forthcoming.

The first resembled a pair of binoculars, but, when you inserted one of a series of coloured cards into a slot on the side and looked through the lenses, a wonderful real-life picture could be seen. and the other was a glove puppet with a monkey's head. Great!

What happened to those desirable objects, I don’t know. It’s true that I did acquire one precious item from that house, a book which I cherished for many years. It was the Chatterbox Annual for 1916 which had probably been given to one of my uncles. They would be children then.



Unlike any of the later children’s Annuals, this was a very big book (some years they had more than 400 pages) which attempted to be both educational and entertaining. The illustrations were excellent, and this particular edition had a famous painting which fascinated me - “The Boyhood of Raleigh” by John Everett Millais. I hadn’t heard of Raleigh then, but I used to invent stories to explain all the pictures, and I was sure that this one was about Treasure Island.

The Boyhood of Raleigh

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Finally, still in the 1930s, here a are a few of the rhymes children recited during their street games.


Yokie pokie,
Yankie fun,
How do you like
Your tatties done?
First in brandy,
Then in rum,
That's how I like
My tatties done.

Ma maw’s a millionaire,
Blue eyes and curly hair,
Sittin’ among the eskimos
Playin’ a game o’ dominoes,

Eentie-teentie halliegolum,
Pitchin’ totties up the lum,
Santa Claus got wan on his bum, 
Eentie-teentie halliegolum.

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THE NEXT POST WILL BE ON
SATURDAY 25th MARCH

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